Queen's Master's of Architecture Students Visit Berlin

From 23-27 October 2015, Michael Corr, Director of PLACE, Northern Ireland's Architecture and Built Environment Centre, Sarah Lappin and a group of ten Master's of Architecture students from Queen's carried out a study tour in Berlin.  In addition to studying multiple buildings and spaces in the city, the group also toured Hans Scharoun's Berlin Philharmonie building, visited Arno Brandlhuber’s infill building at 9, Brunnenstrasse which includes the project "BUG" by Mark Bain (2010), listened to Ignacio Uriarte’s piece “Counting (for) Eight Hours” at the Berlinische Galerie (2014) and heard Camille Henrot's piece "The Pale Fox" (2015) in Werner Düttmann’s St Agnes Church Berlin recently reconfigured by Arno Brandlhuber.

St Agnes Church: photo by Matthew Murnin

St Agnes Church: photo by Matthew Murnin

AHRC Early Career Research Grant: Hearing Trouble

Recomposing the City is delighted to announce that Gascia Ouzounian and Sarah Lappin have received an Early Career Research grant from the Arts & Humanities Research Council of the UK. Their project, 'Hearing Trouble: Sound Art in Post-Conflict Cities', is a cross-disciplinary research project that seeks to better understand the urban environment through an examination of sound and sound art, focusing on the particular conditions of post-conflict cities undergoing rapid and radical change. Our research will focus on Berlin and Belfast, cities that support vibrant communities of sound artists and that have similar architecture and planning cultures.

For more information on the Hearing Trouble project, please visit the RCUK Research Portal.

Welcoming Rachel O'Grady

Recomposing the City is thrilled to welcome Rachel O’Grady to the research team of the AHRC-funded project “Hearing Trouble: Sound Art in Post-Conflict Cities.”  

Rachel is completing a PhD at the CASS School of Architecture, London Metropolitan University. Using live collaborative projects, her research has examined the interpretative possibilities of architectural ‘heritage’ in the city, and their creative potential. She has been working in three neighbourhoods in close proximity to the Taj Mahal in Agra, North India.

Rachel’s project the Buksh Museum of Hobbycraft: a collaboration with India-based NGO CURE received an ASF-International Honorary Mention Award this year. The next two phases of construction have been granted planning permission and the project continues.

Rachel studied architecture at the University of Cambridge and then LMU. Before her PhD research she worked for London architecture practices Penoyre & Prasad LLP and Wright & Wright Architects.

For more information on Rachel's projects, visit the Buksh Museum's Facebook page, or follow Rachel on Twitter.

Buksh Museum (Phase One), before and after shot

Buksh Museum (Phase One), before and after shot




We are hiring! Seeking an RA for 'Hearing Trouble'

Recomposing the City is hiring! We are seeking a Research Assistant with MA-level background in Architecture or Urban Planning and professional experience in architectural design to join our research team as part of our 3-year AHRC-funded project 'Hearing Trouble'.

Please see/share the job description below. This is a part-time post (approx. 15 hrs/week), and it is based in Belfast. Applications due by 29 May.

https://hrwebapp.qub.ac.uk/tlive_webrecruitment/wrd/run/ETREC107GF.open?VACANCY_ID=4111435Wv3&WVID=6273090Lgx&LANG=USA

Welcoming Elen Flügge

Recomposing the City is thrilled to welcome a new PhD student, Elen Flügge, who will join us in 2015-16 through the support of a Northern Bridge Doctoral Training studentship. 

Elen is a writer and sound artist who is currently based in Berlin. She is interested in individualised audition and silent sound art, site- and context-specific works, critical writing on audio-media culture, and translating theory into audio-visual and spatial installations. Her undergraduate work at Bard College, NY, explored music and language perception. Her MA in Sound Studies at Universität der Künste, Berlin, focused on auditory culture and sonic arts. Elena's doctoral research will focus on listening practices for urban space.  

The Northern Bridge Doctoral Training Partnership is an AHRC-funded programme that brings together three universities--Queen's University Belfast, Durham University, and Newcastle University--in the context of postgraduate studies and research. 

Congratulations to Elen for her success in receiving an NBDTP doctoral award.

You can find more on Elen's work at Personal Sound Space.

From Elen Flugge's Personal Sound Space (the Exhibition), 2011.

From Elen Flugge's Personal Sound Space (the Exhibition), 2011.

Call for Abstracts: PGR Symposium 'Soundspace'

CALL FOR ABSTRACTS: SOUNDSPACE SYMPOSIUM 

Recomposing the City will host a PGR symposium, Soundspace, on Monday, 18 May at Queen's University Belfast. This symposium emerges from our recent Soundspace seminar series, which has explored the topic of sound and space across multiple disciplines including anthropology, archaeology, architecture, planning, music and sonic arts. If you are a Master's or PhD student at Queen's University Belfast and wish to contribute a 15-minute paper or presentation on any topic related to the seminar series, please send a 1-paragraph abstract and a 2-3 sentence biography by Friday 17 April to recomposingthecity@gmail.com

The Soundspace Seminar Series and PGR Symposium is generously funded by the Queen's Annual Fund and School of Creative Arts at Queen's. 

SOUNDSPACE SEMINAR SERIES 2015

Recomposing the City is delighted to announce a seminar series, SOUNDSPACE. The series will focus on exploring the topic of sound and space across multiple disciplines including anthropology, archaeology, architecture, planning, music and sonic arts. 

There will be opportunities for students to share their work with this exciting roster of speakers. At the end of the series we will host a Post-Graduate Symposium that will feature the work of Queen's MA and PhD students.

Please find more details on our EVENTS page. If you are interested in attending, please send an email to recomposingthecity@gmail.com to register your interest and tell us a few words about your work or studies. 

All Events 12.45-2 PM, McMordie Hall, Music Building (accessed via University Square), unless otherwise noted. 

Monday 16 February: Steve Larkin, Architect

Thursday, 19 February. Special event. 8 PM, Black Box. 'Soundspace: A Manifesto'. Gascia Ouzounian and Sarah Lappin, Recomposing The City

Monday 2 March: Rachel Ní Chuinn, Radio Producer

Monday 23 March: Sven Anderson, Sound Artist and Urban Acoustic Planner

Monday 27 April: Dr Jacqueline Waldock, Ethnomusicologist

Monday 11 May: Dr Katherine Fennelly, Archaeologist

Monday 18 May: Soundspace Post-Graduate Symposium: Location and time TBA

Poster design by Helena Hamilton.

Poster design by Helena Hamilton.

Summer in the City

We've had a wonderful summer of activity and planning for 2014-15. In late May we hosted an international symposium at Queen's that attracted a large and diverse group of attendees -- local and international architects, artists, city officials, planners, and developers. We heard fascinating presentations by 13 speakers, and there were exciting, impassioned discussions by many in the audience. A huge thanks goes to all the presenters, attendees, and everyone who volunteered to make the day a success. 

In June the Vice Chancellor of Queen's University Belfast talked about Recomposing the City as an exemplar project for interdisciplinary knowledge exchange. The following is from his speech to Architecture students and staff at their end-of-year show:

"Meeting the needs of society and overcoming challenges is something that you as architects will be tasked with on an almost daily basis.

I am delighted that so many of you are already doing that, and doing it in an interdisciplinary fashion, where you are increasing the potential for innovation and sharing of knowledge.

Projects like Recomposing the City, where you are working with colleagues in sonic arts to offer new ways of interacting with urban environments and contested spaces in cities, are an example to the rest of our colleagues across the University about the potential which exists in interdisciplinary working."

Later in June we had a wonderful time at the European Sound Studies Association in Copenhagen, where we delivered a co-authored paper on sound maps and listening maps. Our presentation discussed projects by a range of sound artists, theorists and scholars, as well as our 2014 Street Society workshop with Architecture and Sonic Arts students, who created a 'listening map' of the Sailortown region in Belfast.

Following this presentation we were excited to receive an invitation to co-edit a forthcoming issue of Journal of Sonic Studies based on our international symposium. Please look out for this issue in Summer 2015.

In August we were delighted to spend a day with international students at the Summer Institute at Queen's. We talked about the potential of academic research to impact upon societies as well as ways of thinking and working.

Finally, we are planning an exciting year of activities at Queen's and beyond. This year our work will focus on local design projects in Belfast, as well as presentations in cities including Berlin and Athens. We are also pleased to host the architect and sound artist Raviv Ganchrow at Queen's in December. More on 2014-15 soon, and enjoy the rest of the summer in the city!

New UK Sound Studies Network

Gascia Ouzounian and Isobel Anderson from Recomposing the City were happy to attend the scoping meeting for a new UK Sound Studies network at University of Glasgow on 30 April. The meeting brought together several dozen scholars and artists who work across a broad range of disciplines and practices connected to sound studies: filmmakers, radio producers, acousticians, sociologists, composers, sound artists, soundscape researchers, and many others. Participants took part in discussions on such topics as 'Sound and Community', 'Sound, Space and Subjectivity', and 'Creative Practice in Sound', covering issues that ranged from listening practices to the affective power of sound. During the final discussion, David Hendy, author of the recent 30-part BBC Radio 4 series 'Noise: A Human History' and the book Noise: A Human History of Sound and Listening, suggested that the day's discussions pointed towards the unique ways in which sound studies can contribute to the understanding of community health and well-being.

Thank you to the organisers Philippa Lovatt, Martin Parker and Nick Fells for laying the groundwork for what is poised to become an important forum for exchange and collaboration in sound studies across the UK. 

Recomposing the City @ European Sound Studies Association

Recomposing the City is looking forward to presenting our work on 'Sound Maps and Listening Maps' at the 2nd International Meeting of the European Sound Studies Association in Copenhagen, 27-29 June 2014. The meeting is focused on the topic 'Sound Studies: Mapping the Field', and it will feature keynote speakers Georgina Born (Oxford University), Carolyn Birdsall (Amsterdam University) and Ann Lislegaard (Denmark). Our paper will explore how sound maps and listening maps offer new ways of representing and experiencing urban environments, and how these tools can be applied and developed within architecture and urban planning. If you are planning to attend ESSA in Copenhagen and wish to get in touch regarding shared interests please email us at recomposingthecity@gmail.com  

Sound Studies: An Interdisciplinary Journal

There is an exciting new journal on the horizon, Sound Studies: An Interdisciplinary Journal. It is published by Bloomsbury Press, and edited by Michael Bull, Professor of Sound Studies at University of Sussex and Veit Erlmann, Professor of Ethnomusicology and Anthropology at University of Texas at Austin. Please find the call for papers below.

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Call for Papers

Sound Studies: An Interdisciplinary Journal will be an international, peer reviewed and inter-disciplinary journal in sound studies, providing a unique forum for the development of the subject within a range of disciplines such as ethno/musicology, history, sociology, media and cultural studies, film studies, anthropology, philosophy, urban studies, architecture, arts and performance studies. The journal will encourage the study and research of sound by publishing submissions that are interdisciplinary, theoretical, empirically rich and critical in nature. Situated at the cutting edge of sound studies, it will build on more than two decades of pioneering work in the history, theory, ethnography and cultural analysis of sound.

For its inaugural issue Sound Studies invites original work on any aspect of sound that meets the above criteria.

Deadlines
Paper submission, if you wish to be considered for the first issue: 15 August 2014
Notification of acceptance: 15 October 2014
Final Draft submitted to editors: 15 November 2014

Initially, please submit an abstract of between 300-500 words, accompanied by a C.V. to the editors at (soundstudies@bloomsbury.com). Full manuscripts will need to be submitted no later than 15 August 2014. Articles submitted after this date will be considered for future issues of the journal.

Recomposing the City @ Dublin City Council

Recomposing the City is looking forward to participating in the symposium 'Beyond Noise and Silence: Listening for the City' on 8 May 2014. This event is focused on 'Environment: From Sound Art to Urban Sound Design and Acoustic Planning'. It is organised by artist Sven Anderson, who leads the Manual for Acoustic Planning project at Dublin City Council. For our presentation, we will discuss aspects of sound art as urban design, focusing on the special case of Belfast and artists who have created works that re-imagine and re-invent the 'post-conflict city' through sound. 

Please find more information on the event here.

PhD Studentship Awarded

It's our pleasure to announce that the PhD studentship for the Queen's University's DEL Strategic PhD Award for 'Acoustic Mapping of Cities' has been accepted by Conor McCafferty. For many years, Conor has led public engagement projects for PLACE Architecture and Built Environment Centre, Belfast, including the annual Urban Design Academy for young people, the Place-Making Podcast series and other publications, events and workshops. He edited the book Vacant to Vibrant: Rethinking Town Centres (2014), which collects case studies and essays on issues relating to town centre vacancy and dereliction.  Conor is also a Co-Director at Platform Arts studio space and gallery in Belfast city centre. With Paul Clarke, Conor produced the feature-length documentary film Drawing on Life (2013), which explores the relationship between architects and the world of drawing.  We are delighted to be working with Conor starting in September 2014.

Street Society 2014: Soundmap of Sailtortown

Street Society, Queen's Architecture's Live Project, entered its fifth year in 2014.  Building on last year's sound project in which students made recordings on either side of one of Belfast's peacelines, this year's group of three MArch and five BSc students took on the challenge of making a soundmap of Belfast's Sailtortown Area.  This part of the city, once a bustling urban community, has seen considerable downturn in recent years due to decline of industry and the building of a major roadway through the area.  The Street Society '14 team spent an intensive week in March recording the sounds of the area and interpreting the sonic environment through sketch and maps, combining their work into the Belfast Sailortown SoundMap.  During the week, they also showed their work to over 20 secondary schools as part of the School's initiative to showcase the power of design and architecture to young people.  You can see their blog of the week at http://streetsociety14.blogspot.co.uk/.  Congratulations to the whole team.   

Carsten Seiffarth: Sunshine in the City

We were treated to an especially sunny visit by Carsten Seiffarth, a tireless sound art curator from Berlin who seemed to bring endless sunshine with him along with a fascinating talk on Bonn Hoeren, an initiative whereby the City of Bonn has appointed an annual City Sound Artist since 2010. Seiffarth, who is behind the sound art gallery singuhr-hoergalerie in Berlin as well as several important publications in sound art, generously advised Sonic Arts and Architecture students on their projects during his visit, and met with Recomposing the City researchers to discuss future collaborative research plans. Anyone in the vicinity of Bonn this summer should not hesitate to attend the festival that Seiffarth has planned for Bonn Hoeren in June 2014, which will include a large-scale 'city symphony' featuring hundreds of participants.